Omid
Mehdizadeh
“Blood
Laundering”
Omid’s
pictures
present
city
experience
through
unreachable
“Actual
matter”
involved
with
modern
city
subject,
that
perpetually
challenges
the
audience
to
never
say
a
word
about
the
real
panic
happens
there,
not
here...that
is
because
the
artist
had
success
to
present
the
situation
of
murder,
decedent
and
a
murderer
which
simultaneously
springs
to
audiences’
minds
and
reproduces
in
their
own
unconscious.
So,
it
creates
some
deep
and
permanent
subjectivity
in
an
intersubjective
Situation
for
the
audience
which
makes
everyone
encounter
this
social
situation.
Hence
the
audience
leaves
the
exhibition
encountering
lots
of
city
experiences
which
is
derived
and
originated
from
their
own
mind
and
the
picture
has
just
been
waken
them
up,
which
accompanies
them
for
long
time.
They
would
tell
themselves
from
time
to
time
that
I
haven’t
done
so
but
its
specter
stays
for
long.
In
the
last
part
of
The
Will
to
Knowledge
(Vol.I
of
History
of
sexuality),
Foucault
says:
The
old
power
of
death
which
was
a
sign
of
the
capitalism
has
been
completely
replaced
with
governing
the
bodies
and
prudent
management
of
life.
Therefore,
different
techniques
of
subjugation
and
controlling
the
societies
have
been
excessively
increased.
I
want
to
say
in
these
words
that
this
subtlety
point
of
view
to
the
petrifaction
internalized
in
the
topic
of
murder
is
incredibly
brilliant,
Omid
Mehdizadeh
with
his
Foucault
like
view
(consciously
or
not),
but
in
reverse
and
in
more
exact
words
in
the
form
of
back
ward
causality!
Seeks
the
constructions
of
everyday
life
instead
of
challenging
the
authority
constructions.
The
primitiveness
of
murder
and
violence
like
this
are
clearly
in
contrast
with
the
experiments
and
exist...
of
the
modern
subject.
At
the
end
the
sleeping
of
trauma
in
these
artworks
indicates
this
truly
humanistic
point
that
the
murderer
eliminating
the
subject
not
even
leaves
the
decedent
behind
but
also
merges
it
in
oneself
during
some
kind
of
psychological
process.
Thus
he
carries
this
traumatic
experience
as a
killing
virus
through
the
society
and
spread
it,
even
if
there
is
no
trace
of
blood
on
walls
anymore...!
I
would
like
to
end
these
words
with
a
sentence
of
Freud
at
the
beginning
of
interpretation
of
if
you
can’t
change
all
the
explicit
ideological
rules,
but
at
least
you
can
try
to
change
the
unwritten
hideous
rules.
Amirhossein
Bayani
June-2014
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