Invisible Places Of Imagination Curated By Moein Shafei

Artists:

Vahid Arian, Shirin Babazadeh, Afshin Bagheri, Tabassom Taham, Mona Hoseinzadeh, Parisa Khazaee, Vahid Khazaee, Sahar Daei, Hekmat Rahmani, Pejman Rahimizadeh, Peyman Rahimizadeh, Moein Shafei, Yahya Roydel, Barana Saadat, Mohammad Tabatabae, Danial Teymouj, Davoud Teymouj, Mohammadreza Feizi, Elaheh Keshavarz, Hossein Kahfi, Armin Mokhtari, Kooosha Mousavi, Amirali Momen, Sajad Mirmoeini, Solmaz Nabati, Sohrab Nabipour, Hamed Noroouzi, Kian Vatan, Davar Yousefi

To praise the imagination

Consider two tribes: One of them is people who are just pragmatic and the second are people who are storytellers and dreamers.
Both of them are trying to continue living like each other, but the only difference is that one of them is a storyteller. Scientists have come to the conclusion that pragmatic people, if they existed in the past, do not exist anymore And people are storytellers that their lives will continue. This is the mystery of the story and this excerpt from the comparison between the two tribes taken from the book “The Storytelling Animal” written by Jonathan Gatshall proves that the element of imagination and narrative is like a vital fluid that can be important in the long run. And who needs this element more than writers and artists? The different and wonderful imaginary worlds of artists are so vast and infinite that they can create and create other different worlds in the minds of their audience for thousands of years. The collection of “Invisible Palaces of Imagination” and many art collections that are displayed without mentioning themselves, are primarily set up with the purpose of praising imagination. Because they owe their establishment to imagination. But the “Invisible Palaces of Imagination” exhibition is deliberately and openly aimed at praising this vital element. An element that all artists owe to. Although its management by each artist and the process of creating art is another category that deserves discussion and maybe it can be addressed on another occasion. This exhibition is held at the suggestion of Shirin Gallery and Moin Shafi’s efforts with the aim of collecting imaginative works that draw the attention of interested friends to the element that every artist’s life depends on.Consider two tribes: One of them is people who are just pragmatic and the second are people who are storytellers and dreamers.

Both of them are trying to continue living like each other, but the only difference is that one of them is a storyteller. Scientists have come to the conclusion that pragmatic people, if they existed in the past, do not exist anymore And people are storytellers that their lives will continue. This is the mystery of the story and this excerpt from the comparison between the two tribes taken from the book “The Storytelling Animal” written by Jonathan Gatshall proves that the element of imagination and narrative is like a vital fluid that can be important in the long run. And who needs this element more than writers and artists? The different and wonderful imaginary worlds of artists are so vast and infinite that they can create and create other different worlds in the minds of their audience for thousands of years. The collection of “Invisible Palaces of Imagination” and many art collections that are displayed without mentioning themselves, are primarily set up with the purpose of praising imagination. Because they owe their establishment to imagination. But the “Invisible Palaces of Imagination” exhibition is deliberately and openly aimed at praising this vital element. An element that all artists owe to. Although its management by each artist and the process of creating art is another category that deserves discussion and maybe it can be addressed on another occasion. This exhibition is held at the suggestion of Shirin Gallery and Moin Shafi’s efforts with the aim of collecting imaginative works that draw the attention of interested friends to the element that every artist’s life depends on.