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Arash
Nazari
“The
last
music
in
the
Garden of Eden”
is a
symbolic
statement
of a
human
being,
expressed
beyond
any
existence
and
yet,
at
the
very
same
time,
experiences
the
nothingness.
It’s
a
story
of
imaginations,
floating
in a
human
body
that,
in a
symbolic
and
theater-like
space,
synthesizes
and
narrates
the
fundamental
concepts
like
love
and
hate,
life
and
death.
A
story,
bearing
all
those
concepts
and
still,
filled
with
the
hallucinations
of
the
placelessness...
At a
time,
when
a
viewer
of
mirror-like
world,
with
all
his
surroundings,
steps
into
a
work
of
art,
gives
a
new
life
to
the
vacant
figure
and
moves
out
of
it;
all
of a
sudden,
a
deep
loss,
embraces
the
entire
body
of
that
figure.
The
very
loss,
he
is
waiting
on
its
bedside
for
another
viewer
to
come.
These
moves,
back
and
forth,
continue
for
a
period
of
time,
up
until
the
moment,
when
the
time
and
place
dimensions
are
replaced
by
movements
in
the
mirror-like
space
and
everything
gets
out
of
the
frigidity
of
the
frame.
Stepping
inside
each
work
of
art
is
like
solving
a
puzzle
in
the
simplest
manner,
done
without
any
exaggeration
and
hallucination,
and
each
and
every
person
will
have
a
unique
and
unrepeatable
experience
in
any
silver
frame.
In
the
end,
the
impact
of
fine
fingers
of
fictional
literature,
along
with
a
pleasant
blend
of
music,
has
placed
itself
on
the
body
of
these
works
in a
way
that
they,
more
than
ever,
represent
the
conflicts
between
the
most
powerful
forces
of
nature
–
life,
love,
death…
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