|
Milad
Zeynali
Milad
zeinali
infinite
and
boundless
galaxies
in
space
for
surrealistic
representation
of
objects
and
shapes
and
at
the
same
time
it
helps
to
be
familiar
and
tangible
creatures
and
landscapes
a
place
full
of
mystery...
all
things
in
the
universe
in a
glamorous
weightlessness
in
flight
the
land
of
the
bizarre
and
the
gender
that
we
know
are
good
and
to
recognize
objects
even
be
able
to
help
your
unconscious
know
e
named
them
various
ways,
and
the
same
time
dealing
with
the
loss
of
this
world
full
of
colourful
labyrinth
sometimes
a,
Elmo
l
ashya
,
book
and
sometimes
last
world
throws.
Can
without
trying
hard
as
it
predicts
the
way
our
minds
and
find
a
way
to
get
past
the
expedition
in
describing
events
and
their
associated
event
in
possible
only
for
ourselves
,in
an
effort
to
express
the
bewilderment
of
the
travel
and
see
things
in
the
same
time
having
the
same
biological
origin
are
made
by
human
hands
,
and
floating
in
the
infinite
environment
dreams
is
vain
and
futile,
just
what
in
the
world
makes
more
tangible
and
identifiable
surrealistic
mysterious
little
more
and
it
will
blend
with
the
objects
in
the
environment
,
pictograms
that
ultimately
gives
us
that
man
has
known
them
for
thousands
of
years.
In
addition
this
combination
of
seemingly
random
and
unexpected
at
the
same
time
the
satisfaction
of
the
audience
and
on
the
other
hand
fear
that
the
visual
pleasure
tinged
with
mental
storm.
The
images
and
statues
certainly
take
place
as
questionable
an
historical
perspective
is
that
the
world
of
the
factors
that
causes
a
mental
disturbance
but
it
must
be
said
that
exactly
two
attractive
too
much
work
and
this
particular
duality
is
that
it
works
analyzes.
Zeinali
artist
of
this
time
and
causes
that
the
not
committed
himself
to
modern
methods
painters
and
sculptors
of
the
last
century.
He
tried
to
create
space
with
any
tool
that
is
also
their
dependence
on
the
rules
and
conditions
that
are
common
in
painting
and
contemporary
art
.
this
method
in
that
unscrupulous
and
without
fear
what
the
world
of
imagination
brought
in a
language
with
which
we
are
familiar
from
the
past
century
AD.
Visual
space
to
put
the
picture
in
front
of
our
eyes
learn
the
language
the
invention
of
Ultra-Realism
and
statements
by ,
Andre
Breton
in
1924
covered
a
lot
of
ups
and
downs.
And
sometimes
forgotten
and
never
returned
to
the
same
powers
and
remain
unsaid
that
the
Great
event
of
the
twentieth
century
is
perhaps
the
most
influential
of
all
artistic
positions
in
contemporary
art
with
impact...
The
use
of
dream
worlds
as
is
evident
in
the
zeinali
works
undoubtedly
be
one
of
the
key
actions
outlined
in
this
creative
process.
But
Besides
they
wanted
and
unwanted
viewers
enjoying
in a
mental
conversation
with
his
conscience.
zeinali
of
its
intellectual
re
servers
adds
to
his
work.
A
number
of
which
are
beyond
art
and
more
psychological
and
sometimes
social
aspect
and
also
makes
it
very
personal
work.
This
is
one
of
the
primary
means
of
artistic
creativity.
Zeinali
to
give
high
quality
graphics
trick
is
not
afraid
to
work,
and
that
it
can
be
easily
seen
in
the
color
and
strength
of
composition.
But
the
most
important
part
of
the
indescribable
feeling
that
the
mix
of
all
these
elements
are
transmitted
to
the
viewer.
Vahed
Khakdan
June
2015
|
