| Mahdi 
																			Razavi 
																			
																			
																			In 
																			the 
																			Name 
																			of 
																			The 
																			Creator 
																			
																			
																			The 
																			sea 
																			is 
																			darkening,
																			
																			
																			 
																			
																			
																			there, 
																			where 
																			the 
																			winter 
																			rain,
																			
																			
																			 
																			
																			
																			passes 
																			it 
																			up 
																			from 
																			the 
																			above. 
																			
																			
																			Kyorai 
																			/Haiku/ 
																			translated 
																			by 
																			Ahmad 
																			Shamlou
																			
																			
																			 
																			
																			
																			A 
																			note 
																			on 
																			the 
																			photo 
																			collection 
																			“Dropped 
																			onto 
																			the 
																			water” 
																			by 
																			Mehdi 
																			Razavi 
																			
																			
																			These 
																			are 
																			simple 
																			but 
																			not 
																			easy; 
																			similar 
																			to 
																			Zen, 
																			they 
																			are 
																			the 
																			results 
																			of 
																			contemplation 
																			in 
																			the 
																			face 
																			of 
																			the 
																			universe; 
																			they 
																			are 
																			deep 
																			as 
																			their 
																			own 
																			skies. 
																			
																			
																			Endless 
																			blue, 
																			boats 
																			in 
																			the 
																			fog, 
																			remote 
																			mountains 
																			and 
																			a 
																			silence, 
																			replete 
																			with 
																			a 
																			gaze; 
																			no 
																			sound 
																			is 
																			heard 
																			here. 
																			
																			
																			One 
																			can 
																			look 
																			at 
																			them 
																			for 
																			hours, 
																			flap 
																			inside 
																			them, 
																			hear 
																			they 
																			smooth 
																			silence 
																			and 
																			read 
																			their 
																			poems. 
																			
																			
																			Here, 
																			the 
																			camera 
																			is 
																			in 
																			the 
																			capacity 
																			of a 
																			pen 
																			so 
																			as 
																			to 
																			compose 
																			the 
																			poems, 
																			the 
																			photographer 
																			rhymes 
																			on 
																			more 
																			and 
																			more 
																			and 
																			this, 
																			is 
																			an 
																			arduous 
																			act. 
																			
																			
																			These 
																			are 
																			the 
																			outcomes 
																			of 
																			observation, 
																			the 
																			results 
																			of 
																			the 
																			stretch 
																			of 
																			the 
																			eyes 
																			and 
																			their 
																			passing 
																			through 
																			the 
																			lens 
																			of 
																			the 
																			universe, 
																			the 
																			consequences 
																			of 
																			placelessness 
																			and 
																			timelessness; 
																			and 
																			they 
																			take 
																			us 
																			to a 
																			more 
																			beauteous 
																			and 
																			comforting 
																			world, 
																			far 
																			from 
																			the 
																			clamor 
																			of 
																			the 
																			city. 
																			
																			
																			I 
																			like 
																			it 
																			the 
																			most 
																			to 
																			stare 
																			at 
																			them 
																			astonished, 
																			fluid 
																			and 
																			light; 
																			on a 
																			par 
																			with 
																			them… 
																			
																			
																			Mehrdad 
																			Afsari, 
																			summer, 
																			2017 
																			  |