Taking
risk by
memories
[Looking
at
Alireza
Pouya's
paintings
in
Seyhoun
gallery]
Seyyed
Amir
Soghrati
To watch
Alireza
Pouya's
paintings
with
extensive
widths
of color
and
diverse
textures
is
encountering
with
abstract
paintings
that in
them
"color-sense"
overcome
to
"form-concept".
The
artist
courage
in using
exciting
and
affective
and to
emphasize
on sense
inducing,
shape
his
pictures
rhythm,
modify
and goes
ahead.
Alireza
Pouya is
a
painter
of
tragedies
that
have
beautiful
color;
the
debris
fear and
pouring
colors
on human
statues
and
things,
remember
thing
and
human
lifeless
that
more
become
daily
and
repetitive,
convert
in human
mind and
eye to
lifeless
nature.
And
painter
here
buries
everything
that is
lifeless
under
paint
debris.
Statues
give up
their
life
among
colors
and
textures;
painter
eliminates
figures'
human
nature
in favor
of
exiting
colors
atmosphere.
Infatuation,
emotion
and
enthusiasm
in
destructing
a
painting
space
although
sometimes
result
in
scenes
disturbance,
but a
form of
painting
appeal
and
infatuation
in
confrontation
with
space
and
atmosphere
that
could be
a view
of the
painter
affective
space in
stages
of life
that
have
found
visual
form by
color
attack
and
diverse
texture
debris.
In fact
the
artist's
memories
and
risks
lose
shape in
his/her
paintings
and
again
take
shape in
the same
paintings;
the
again
shape of
his
memories
is a
sensation
that has
put on a
dress of
color.
Drawing
things
and then
destroying
them
with
color is
the
painter's
risk
taking
by his
memories.
Alireza
Pouya
despite
of
tendency
to
abstraction
and
dumbness
of
social
concepts,
in
destroying
visual
elements
and
turning
down
textures
and
destroying
colors
goes
toward a
language
to
express
human
affections
in which
destruction
and
turning
down is
treated
a view
of the
artist's
life
experience
in
confrontation
with
human
experiences.
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